What makes people who are enjoying their own life struggle by kneeling down to grief? Because they love the soil, why should they always pay fines? Why do some people walk apologizing to the forest, soil and climate? Why are some people forced to go to the sad village where they are waiting? When will a lasker who is looking for a home after being robbed of his nest come back? Why do some people always hide and laugh? Why should some people walk forever with flowers on their chests? How long should the re-editing machine like Bhittepatra be removed from the law? The drama ‘Masinya’ is the epitome of pain built around these questions.
