
नाटकमा दुःख छ तर खुसी खोज्दै छौं
काठमाडौंतिर नाटक स्थापित भईसक्यो । मोफसल भनिने काठमाडौं बाहिरका जिल्लाहरुमा नाटकका दुःख उस्तै छन् ।
काठमाडौंतिर नाटक स्थापित भईसक्यो । मोफसल भनिने काठमाडौं बाहिरका जिल्लाहरुमा नाटकका दुःख उस्तै छन् ।
गाउँमा नाटक गर्दाको समस्या कलाकारलाई टिकाउन नसक्नु हो ।
हामीले नाटकका लागि कथा छान्दा, कथा खोज्दा, कथा बुन्दा धेरै नियममा बाँधिनुपर्छ भन्ने होइन, कम्तीमा संविधानमा उल्लिखित मौलिक हकको मर्मलाई ख्याल गरे पुग्छ ।
If I speak of peace, I don’t mean a state, I mean a process, an ongoing activity, a way of dealing with oneself, other individuals, groups, societies and nations in a life supporting way.
At the heart of Mandala Theatre’s work is the zeal to promote peace and harmony in a country that experienced a ten-year conflict.
We can use Kathmandu’s naturally rich urban spaces to create open-box theatres while moving away from conventional theatre models.
It’s time theatre practitioners started blending form and content to add depth to their productions.
It’s high time Nepali media reflected on how it has contributed to the country’s theatre scene.
Modern Nepali theatre artists must develop greater patience and professionalism in their studies.
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